Little Singing on the Prairie by Martha Henderson No matter what kind of winter we have had here in Minnesota, by April, we think it should be time for spring. But we seldom get it this early. Oh, maybe we have brief hints of spring, one or two days of sunshine or warmth to tantalize us. But the weather, like an opera diva, likes to let us know who is the boss. We get, at this time of year, a lot of sulking and maybe a final tantrum or two before at last we are allowed to break through to Spring. So it was last week. After a few days of warm weather, during which we thought all our troubles were over, winter came back like the cat in the Garrison Keillor song. It hung on day after day, dreary, bleak, and cold. The only thing to do was to go south-- to Omaha, where they were preparing for their sixth annual all-day singing on the first weekend of April. To refresh my memory about how to get there, I called Alice Love. She said, "Go down to Des Moines, and turn right." That sounds like an oversimplification, but it isn't. Straight down one side of a square I went for 212 miles, until I made a 90 degree turn and then headed straight west for another 150 miles. Iowa is cruise-control land. The road is so straight and unpopulated that I could almost do as the old ship captains did when going for a long time without changing direction: They would tie down the wheel and let the ship just go on and on, with no one needing to steer it. So for mile after mile, I sailed in my little ship across a sea of grass. Along the way, I rediscovered what I had known before: That though late winter in Minnesota is bleak and brown, there is hardly anything more desolate than an interstate in the flat, empty parts of the Midwest, especially in early spring. Away to the horizon the landscape stretched dull brown and grey, with hardly a tree to obstruct the view. Fortunately, I had recorded books with me, the saving grace of the weary traveler. And the bare landscape of Iowa, with nothing to distract from the story, is the perfect screen on which to project scenes of the stories one is hearing. So even though I was actually looking at a vast expanse of empty space, I saw, with Moll Flanders, the streets of 1722 London, and the horror of Newgate Prison. I stood with Peregrin Took on the green fields of Ithilien. I struggled with Frodo and Sam up Mount Doom, went home with them to the Shire, and watched with Sam as Frodo took leave of the world on a ship at the Grey Havens. Just at the time that Sam journeyed back to the Shire, walked into his house, sat down at the table and said, "Well ... I'm home," I arrived at Alice Love's house. Next morning, the singing's start time of 10 a.m., and the fact that Alice lives about 10 minutes from the church, gave us ample time to sleep, and then to visit over breakfast, before heading out. As I walked out the door, I saw what I had come to see: green grass, forsythia bushes in bloom, and a beautiful, sunny day. Despite Alice's proximity to the singing, we still did not arrive at the church on our first attempt. However, we weren't far off. Alice teased us good-naturedly about getting lost, but we weren't lost; we were (as someone said many years ago after a wandering adventure at my summer camp) just disoriented. When I arrived in Omaha the night before, it had seemed to me that Omaha is a place of wide, straight streets that go on for miles, lined with huge, monumental churches. But the church that the Omaha singers have found to sing in is a small gem set in a quiet neighborhood. Simple, oblong, made of brick, it features a downstairs social room of just the right size, with a low plaster ceiling and a tile floor, which made the singing sound just right. Because the church has no steeple, I might have thought I was in a Baptist church down south, had it not been for the Greek Orthodox icons hanging on the wall of the social hall. There were a number of morning refreshments available, including TeaSource Red Berries tea (which made me feel almost as if I were back in St. Paul), in my opinion one of the best things for the voice, along with lemonade and ginger-honey-lemon tea. The latter is really the very best thing ("It brings the dead back to life -- the vocal cords, anyway," said one singer), but I had not thought to bring any with me, so I drank Red Berries instead. On the registration table was a vase of lovely daffodils, hyacinths, and other spring flowers from someone's garden -- a sight for sore eyes for someone weary of winter. Several people from Omaha, like the southerners they are (well, south of Minnesota, anyway), made it a point to thank us graciously for coming. Then the singing was called to order. I had to be on my toes because I had been asked to pitch. (Evidently, where I like to sing the songs is also where a lot of other people like to sing them, which works out great for all of us.) No daydreaming between songs, as I sometimes do. No dawdling getting to the page, and no thinking that I don't need to open the book because I know this or that song. Especially, no forgetting that I was supposed to pitch! I didn't want to happen what had happened at another convention: I was sitting there waiting to sing the next song, when I noticed that the room had fallen very silent and everyone was looking at me. They were waiting for the pitch, while I, forgetting my role, had been waiting for someone else to give it. However, everything went off pretty well. It was a small singing to start with (about 20 people), and it grew to about 30 during the day. I missed a number of people who had been there in past years, who were not there this time. But those who were there sang with enthusiasm and skill. The songs I led were probably not very familiar to the class, but you wouldn't know that from hearing them. Lunch, as always in Omaha, was not to be missed. There was so much delicious food that, if you went hungry, it was your own fault. I heard high praise from others for the baked ham, while I was partial to green beans and lasagna. Fried chicken was available as well. And of course, there was one table reserved for desserts, and it was full -- no space left anywhere. It was difficult to decide which to choose. After lunch, when singing resumed, I noticed that the person leading looked a lot like the man in the icon on the wall next to him! If the leader had been wearing ecclesiastical robes, he and his icon double would have been dead ringers for each other. I looked from one to the other, and back again, not believing what my eyes said to be true. After the singing, I pointed this out to his wife. I think she got a kick out of that. The singing wound down, and while my throat gave out, everyone else made it to the end. It had been another good day of singing, well-organized by a dedicated group of singers. But the best fun was yet to come. We adjourned to Alice Love's house, where we ate even more food and sang some songs from the Cooper book. Then Denise Kania pulled out her collection of gospel songs by Albert Brumley and others (see brumleymusic.com). We sang "Twilight is Stealing," "Turn your Radio On," "Palms of Glory," "Camping in Canaan" (which sounds a lot like Easter Parade), "Daniel Prayed," and "Just a Little Talk With Jesus." As someone said, songs like this are "a hoot and a half to sing," and that proved to be true this evening. Denise and Jenni Wallace-Grate had a wonderful alto thing going (just seat me between the two of them and I will sail off into a land of bliss), and Larry of Omaha did a great job of sight-reading that lightning-fast bass part in "Just a Little Talk with Jesus." Several of us gathered around him, squinting to see the one book, while he held the whole song together. That was a memorable moment. Still, all good things must come to an end. To remind me of this, next morning, snow was falling heavily in large, wet flakes. All through the western part of Iowa, I drove through nasty weather that didn't look at all like spring; at one rest stop, the snow was actually blowing sideways. Magically, just north of Des Moines, the storm dried up and the temperature rose 6 degrees. Near Clear Lake, I stopped at the Guardian Angels roadside chapel. This small chapel was built by the side of the highway in honor of a woman from Clear Lake who was convinced that guardian angels had protected her in some very dangerous situations. It looks like a miniature church, inside and out, and it's a good place for three or four people to sing a few songs. Outside, there is a yard swing for people to rest themselves on, but it was too cold to do that this time. The chapel is always open, but it seems never to be vandalized. Perhaps the people that bother to stop there treat it with the respect due to a place that exists to rest the souls and bodies of weary travelers. One of the stained-glass windows made reference to a Bible verse, Isaiah 2:4. I looked up the reference in the Bible on the pulpit: "And he shall judge among the nations, and shall settle disputes for many people; and they shall beat their swords into plowshares, and their spears into pruninghooks. Nation shall not lift up sword against nation, neither shall they learn war any more." One of the other windows just said, "Peace." I thought it odd that I had not noticed those windows the other times I had been there. It seemed like a message just for this time. Across the rest of the winter-wasted prairie I sailed. At home, I fell into bed, with memories of gospel songs floating around me. Martha Henderson St. Paul |